SALSA: LIFELONG PASSION AND GLOBAL PHENONEMON

A Puerto Rican flag hanging in an East Harlem apartment window (Flickr/Richard Alexander Caraballo)
A Puerto Rican flag hanging in an East Harlem apartment window (Flickr/Richard Alexander Caraballo)

Salsa music simmered to life in New York City’s Puerto Rican neighborhoods in the 1960s and 70s: a blend of Cuban son, mambo, cha-cha-chá, and guaracha; a dash of Puerto Rican rhythms; and swirls of other musical ingredients.

New York’s early salsa era was one part popular craze, and one part urban cultural movement. Today, Beijing boasts salsa-themed nightclubs, Scotland hosts an annual salsa congress, and salsa music spills out of car windows on hot summer nights in California.

In short, salsa is now a global phenomenon.

A San Francisco Bay Area reader recently sent Apsara a list of his all-time favorite salsa ensembles and solo artists. His lifelong passion for salsa began several years ago in Bogotá, with Fania All Stars (a showcase ensemble of Fania Records artists) topping the list.

Our Latin Thing

The film Our Latin Thing recounts a famous 1971 Fania All-Stars concert held in New York’s now-defunct Cheetah disco, and features footage of East Harlem. Fania recently released a re-mastered 40th-anniversary edition of this musical time capsule.

Fania All-Stars launched the solo careers of many salsa legends, including the “Queen of Salsa” Celia Cruz. Originally from Cuba, Cruz’s impressive recording career spanned 50 years and lasted until close to her death in 2003.

Celia Cruz: “Guantanamera”

Other favorite solo artists from our reader’s list include:

Willie Colón (trombonist and singer): “Idilio,” “El Gran Varon,” “Gitana,” “Celos,” “Murga de Panama,” and “Calle Luna Calle Sol” from the album Greatest Hits

Henry Fiol (composer and singer): “Oriente,” “Ahora Me da Pena,” and “La Juma de Ayer” from Fe, Esperanza y Caridad

Larry Harlow (pianist): “El Paso de Encarnacion,” “La Cartera,” and “Abran Paso”

Pupi Legarreta (flutist and violinist): “Sabroso Como el Guarapo” and “El Niche” from Pa’ Bailar

Ismael Miranda (composer and singer): “Asi Se Compone Un Son” and “Maria Luisa”

Eddie Palmieri
(pianist): “Azucar,” “Vamonos Pal Monte,” “Puerto Rico,” and “Muñeca” from A Man and His Music

Thank you for sharing this wealth of salsa music with us! We’ll be posting the rest of the list on Facebook and Twitter this week.

LISTENING TO WHAT? RED HOT + RIO 2

After listening in early June to the “From Brazil with Love” episode of the excellent new NPR show Alt.Latino, I became hooked on the album Red Hot + Rio 2.

The three weeks’ wait for its June 28 release was well worth it. Now with thirty-three Tropicália-inspired songs loaded onto my MP3 player, I have a lot of music to enjoy and reflect upon during my daily train ride.

Red Hot + Rio 2 is the most recent compilation produced by the New York City-based nonprofit HIV/AIDS awareness and relief organization Red Hot. Here are two tracks that give just a small taste of the breadth of styles and artists on this expansive compilation.

“Um Girassol da Cor do Seu Cabelo” (“A Sunflower the Color of Your Hair”)

Inventive singer-songwriter Mia Doi Todd of Los Angeles and José González, an Argentine-Swedish folk musician, give new voice to this song by Lô Borges, a founder of the influential Clube da Esquina music collective.

“O Leãozinho” (“Little Lion”)

American indie-folk band Beirut produced this march-like rendition of a song originally by Brazilian artist Caetano Veloso, a noted Tropicálista. (This track is currently available for free download on the Red Hot website.)