{"id":145,"date":"2011-10-06T05:05:36","date_gmt":"2011-10-06T05:05:36","guid":{"rendered":"http:\/\/apsaramusic.com\/?p=145"},"modified":"2023-04-30T23:58:34","modified_gmt":"2023-04-30T23:58:34","slug":"stay-tuned-back-next-week","status":"publish","type":"post","link":"http:\/\/apsaramusic.com\/?p=145","title":{"rendered":"STAY TUNED: BACK NEXT WEEK"},"content":{"rendered":"
\"Musician<\/a>
Musician playing the ravanhatta at Jodhpur’s Mehrangarh Fort. (Sarah Lin Bhatia)<\/figcaption><\/figure>\n

After an exhausting and incredible month, I’m back from my travels. Work requires a bit of extra attention right now, so I’ll publish Apsara<\/em>‘s first fall feature next week.<\/p>\n

India stays with you long after you’ve left. I’ve been thinking a lot about the performances that my husband and I were lucky enough to catch in Rajasthan, and especially about the marketing of Rajasthani “folk” music as a genre. I’ll be discussing this in next week’s feature.<\/p>\n

In the meantime, here’s “Rajputana Road,” a well-produced song by Gaurav Venkateswar that he created from an iPhone recording of Rajasthani folk musicians. It conveys the musical conundrum of “tradition” and “technology” and where these two fit together.<\/p>\n